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The Sea House: A Novel, by Esther Freud
Free PDF The Sea House: A Novel, by Esther Freud
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The architect Klaus Lehmann loves his wife, Elsa, with a passion that continues throughout their married life despite long periods of separation. Almost half a century after Lehmann's death in the village of Steerborough, a young woman, Lily, arrives to research his life and work. Pouring over Klaus's letters to Elsa, Lily pieces together the story of their lives together and apart. And alone in her rented cottage by the sea, she begins to sense an absence in her own life that may not be filled by simply going home.
The Sea House is the story of the village of Steerborough and the marshes and the sea beyond. It is the story of one generation living in the footprints of another; of a landscape shaped by lives, and lives shaped by landscape. With characteristic skill and a new depth and range, Esther Freud explores the twisting paths that people take -- and the places where those paths meet.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.- Sales Rank: #1668406 in Books
- Published on: 2005-04-12
- Released on: 2005-04-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .65" w x 5.31" l, .54 pounds
- Binding: Paperback
- 288 pages
From Publishers Weekly
Painter Lucian's daughter, Sigmund's great-granddaughter and an accomplished novelist herself (Hideous Kinky), Freud invokes her father's family history in this splendidly written, evocative novel. Inspired by the letters of her grandfather, the architect Ernst Freud, she weaves an elegantly paced, double-stranded narrative set in the English coastal village of Steerborough. In the present, 20-something grad student Lily retreats to Steerborough for the summer with a bundle of letters that architect Klaus Lehman wrote to his wife, Elsa. Her story alternates with that of a group of German-Jewish emigres, including Klaus, Elsa and the deaf painter Max Meyer, who summer in Steerborough in 1953. While Lily pores over Klaus's adoring but paternalistic, bullying letters, she and her workaholic architect boyfriend Nick, living in London, are nearly incommunicado. "The men she knew didn't seem to feel the need to so utterly possess their women," Lily muses, somewhat regretfully. Between infrequent, strained visits from Nick, Lily makes a pretense at work, suns, swims and befriends the little girls next door—and their virile, working-class father. Freud depicts postwar Steerborough from the point of view of Max and his hostess, Gertrude Jilks, an English child psychoanalyst and friend of his recently deceased sister, Kaethe. As Max hungers for the beautiful Elsa while mourning Kaethe and the immeasurable loss of his life and family in Germany—a subtext Freud renders all the more powerful with slow, subtle revelations—he paints every house in the village, creating a scroll that Lily will one day discover on exhibition. The novel's setting is smalltown, but its thematic scope is generous: from Old World jealous love to modern-day commitment issues, art, psychoanalysis, dislocation and yearning for home. Though the culmination of the love stories feels too deliberately plotted, Freud has constructed her novel with beautiful precision.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
In Freud's fifth novel, a young woman arrives in a small English seacoast village to research a thesis about a German architect who lived and worked there. While poring over his passionate letters to his wife (letters that raise questions about her own relationship with a man back in London), she becomes involved with the fractious family next door. Interspersed through this narrative is one concerning events decades earlier, when an artist visiting from London starts to make paintings of every house in the village and falls for the architect's wife. A dreamlike atmosphere pervades, rather at the expense of vivid characterization, but Freud's gift for natural description is such that she manages to turn the village's seaside topography into a sentient being, with its own stores of memory and malice.
Copyright © 2005 The New Yorker
From Booklist
Freud's fourth novel addresses the power of the artistic muse, but above all it is steeped in the landscape of Steerborough, a tiny British seaside village that is home to two complex casts of characters who live there 50 years apart. Klaus Lehmann, a Jewish architect and German emigre, writes letters to his wife from 1931 until his death in 1953. The letters end up in the hands of a present-day architecture student writing her thesis on Lehmann who rents a cottage in Steerborough to better soak up the creative atmosphere surrounding her famous subject. The time periods are soon revealed to have more than just letters in common, as Freud adroitly ties them together with matching threads of sexual liaisons, children forced to grow up too soon, and natural disaster. Some characters are fleshed out more carefully than others, but no reader will soon forget Freud's rhapsodic descriptions of the village or its inhabitants, who, like the weather, are alternately morose and incandescent. Deborah Donovan
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
5 of 5 people found the following review helpful.
Normal for Suffolk
By D. P. Birkett
It may unfair to Esther Freud to begin a review by pointing out that she is the great-granddaughter of you-know-who, but it would be unfair to the reader not to mention it, because one of the themes is the German-Jewish refugee experience in England and one of her characters is a psychoanalyst. The author adds to the relevance of her personal background by providing a list of acknowledgements at the end that almost suggests we have been reading a roman a clef.
There are two main settings, seaside communities on opposite shores of the North Sea. One is a meticulously described East Anglian village, Steerborough, the other a German island (which might actually be in the Baltic).
The two main plots are set 50 years apart in time. One is the story, set in the fifties, of a refugee architect, Klaus, and his wife, Elsa, the other is the story of Lily,a student of architectural history, who is studying the life and work of Klaus and worrying about her relationship with her London architect lover, Nick.
Several other plots are interlinked. Lily gets involved with Grae who is desperately trying to care for two young daughters, Emm and Arry, reminiscent of the wonderful ones in "Hideous Kinky," and who may or may not be the guilty party in his violent relationship with their mother. Elsa has an affair with the deaf artist Max, who is painting a panorama of Steerborough.
It sounds complicated, and there are many subtleties and nuances that will repay a second reading, but the characters are so well demarcated, their dialog is so realistic, and their actions flow so naturally from their personalities, that it is never hard to follow for pure entertainment.
10 of 11 people found the following review helpful.
Lovely, romantic, and touching
By Lev Raphael
Though the twin stories took a while to clarify themselves in this reader's mind, once they did, the novel was quietly hypnotic as it wove together themes of loss, love, and historic tragedy. Set in a seaside English town today and in the early 50s, the book is suffused by a sense of isolation and longing, of human insignificance in the face of the limitless waters that can erase whole cities over time. The prose was beautiful and I read many passages over to savor the author's vision.
6 of 8 people found the following review helpful.
Slow and Dull
By L. Osterman
This novel starts out very slow and uninteresting and only barely picks up. It paints vivid pictures of the coastal town and even of the characters in a physical way. But the main part of the story, the relationships, falls flat and remains ambiguous. With the interesting lives led by all the characters, in both timelines, so much more could have been developed. The actions of Lily, Max, and Elsa all seem random and without any motivation. It did offer interesting information about Germany and it's peoples lives before and during WWII.
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