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Counterpunch, 2nd edition: Making Type in the Sixteenth Century Designing Typefaces Now, by Fred Smeijers
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Typography is still dominated by letterforms from the first one hundred years of European printing. Where were the processes and attitudes that lie behind these forms? Fred Smeijers is a type desinger who learn to design and cut punches: the key instruments with which metal type is made. This book is a work of practical history, with much contemporary relevance.
- Sales Rank: #1740612 in Books
- Published on: 2011-12-14
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x .75" w x 5.75" l, .99 pounds
- Binding: Paperback
- 200 pages
Review
Counterpunch is written in an entertaining manner and Smeijer's wit frequently shines through....The book's carefully considered design, a bibliography, and a useful index complete a work that is warmly recommended to anyone interested in type. Kaspar Brand, Page
About the Author
Fred Smeijers is a Dutch type designer, teacher, and writer. After finishing as a student at the school of art at Arnhem, he worked as a typographic advisor to the reprographic company Océ, then became a founding member of the graphic design practice Quadraat, which provided the name for his first published typeface (FontShop, 1992). Smeijers has a whole range of distinctive typefaces to his credit, including Renard (The Enschedé Font Foundry, 1998) and Arnhem, Fresco, Sansa, and Custodia. These latter are all distributed by OurType, the company that he co-founded. His books are Counterpunch (1996) and Type now (2003). He is a winner of the Gerrit Noordzij prize (2001), and is Professor of Digital Typography at the Hochschule für Grafik und Buchkunst, Leipzig.
Most helpful customer reviews
11 of 11 people found the following review helpful.
A perfect book for students
By kupfers@uni-weimar.de
If you are a student interested in Typography, than you have to read this book. It is not only about punchcutting in its techniques but provides a lot of basic information on the subject type in general. Because of his direct and logic way of writing Fred Smeijers succeeds in explaining you the most complex things you where always confused about before (method of handcasting type, old techniques, the historical connections). He also explains what we can learn from all that for now and the future.
It is greatly illustrated, beautifully designed and so lively written that you have to read it like a novel, not able to stop anymore. I hope Fred Smeijers continues writing so interesting books.
8 of 8 people found the following review helpful.
The most important book a type designer will ever read.
By Raymond Larabie
I've read a lot of books on type and this is the only one with a practical guide on how to create your own typefaces. I'm sure more people who read this book aren't going to start making their own metal type but the lessons learned in this book easily translate to the world of creating digital typefaces. After reading this it changed the way I design typefaces, completely. Now, instean of merely moving bezier control points, I imagine myself cutting metal and re-using counterpunches. Sometimes I "oversize" my counters a bit, as if I were hammering them in a bit more. If you're a type designer, or just interested in type, put this one in your shopping cart immediately.
7 of 7 people found the following review helpful.
Perfect for students and type designers
By A Customer
I was surprised by Mr. Smeijers ability to speak volumes of relevance about the digital era. As a student interested in typography and type design I was enthralled. I couldn't put it down.
This book is a must read.
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