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The Death of Ivan Ilyich (Vintage Classics), by Leo Tolstoy
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Tolstoy’s most famous novella is an intense and moving examination of death and the possibilities of redemption, here in a powerful translation by the award-winning Richard Pevear and Larissa Volokhonsky.
Ivan Ilyich is a middle-aged man who has spent his life focused on his career as a bureaucrat and emotionally detached from his wife and children. After an accident he finds himself on the brink of an untimely death, which he sees as a terrible injustice. Face to face with his mortality, Ivan begins to question everything he has believed about the meaning of life. The Death of Ivan Ilyich is a masterpiece of psychological realism and philosophical profundity that has inspired generations of readers.
- Sales Rank: #23996 in Books
- Published on: 2012-10-02
- Released on: 2012-10-02
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .21" w x 5.20" l, .16 pounds
- Binding: Paperback
- 64 pages
Review
“The English-speaking world is indebted to these two translators.” —Orlando Figes, The New York Review of Books
“Excellent. . . . The duo has managed to convey the rather simple elegance of Tolstoy’s prose.” —The New Criterion
“Pevear and Volokhonsky’s new version is . . . flexible individuated, immediate.” —The Nation
“Well translated. As a lover of Tolstoy’s work, one couldn’t ask for more, and I can’t recommend it highly enough.” —André Alexis, The Globe and Mail (Toronto)
About the Author
Count Leo Tolstoy (1828–1910) was born in central Russia. After serving in the Crimean War, he retired to his estate and devoted himself to writing, farming, and raising his large family. His novels and outspoken social polemics brought him world fame.
Richard Pevear has published translations of Alain, Yves Bonnefoy, Alberto Savinio, Pavel Florensky, and Henri Volohonsky, as well as two books of poetry. He has received fellowships or grants for translation from the National Endowment for the Arts, the Ingram Merrill Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the French Ministry of Culture. Larissa Volokhonsky was born in Leningrad. She has translated works by the prominent Orthodox theologians Alexander Schmemann and John Meyendorff into Russian.
Together, Pevear and Volokhonsky have translated Dead Souls and The Collected Tales by Nikolai Gogol, The Complete Short Novels of Chekhov, and The Brothers Karamazov, Crime and Punishment, Notes from Underground, Demons, The Idiot, and The Adolescent by Fyodor Dostoevsky. They were twice awarded the PEN Book-of-the-Month Club Translation Prize (for their version of Dostoevsky's The Brothers Karamazov and for Tolstoy's Anna Karenina), and their translation of Dostoevsky's Demons was one of three nominees for the same prize. They are married and live in France.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Review for Ivan Ilych
By LB Song
The marvel of Tolstoy is his instinctive grasp of the desperate choices humans face in life.
He has an uncanny skill in both portraying our ability to love and hate, as well as our motivations and fears. When reading his stories, I often feel myself completely succumbing to his world, as if I’ve known the characters my whole life. The deep emotional and intellectual resonance of his works stay with me long after I close the pages.
Such a work is The Death of Ivan Ilych, a short story published in 1886.
In it, the reader can see the roots of the moral questions that Tolstoy himself will wrestle with his whole life. The primary question being: what is a good life?
For Ivan Ilych, he had answered this question by leading a life that was, “the most simple and most ordinary and therefore most terrible”. A dutiful Russian bureaucrat, his navigated life by relying on the good sense of society to decide what was proper. His chief pleasure came from a sense of his own power over inferiors, and secondary pleasures from playing bridge and indulging in bourgeoisie tastes at home.
Yet throughout this innocent ascendance in social position, there were cracks that betrayed a denial of the truth underneath the life of “legality, correctitude, and propriety”. The truth at last manifested itself in the form of physical and psychological pain, plaguing him endlessly and making life more miserable than death. Faced with this curse and sensing death’s close presence, Ivan Ilych began to wonder, “What if my whole life had been wrong?”.
Ilych looked backed at his life, and realized suddenly, “all that for which he had lived- and saw clearly that it was not real at all, but a terrible and huge deception which had hidden both life and death. This consciousness intensified his physical suffering tenfold.”
The book ends without answering the question of what is the right life, and the only clue the reader is left with is the fresh and sunny image of Gerásim, a peasant in Ilych’s household. Gerásim alone sympathized with his master’s pain. Yet, his simple nature was unperturbed by the thought of death, and presumably his close relationship with nature allowed him to view it as a natural cycle.
In Gerásim’s character, one can see Tolstoy’s admiration for the life-affirming powers of the countryside, which is echoed in Anna Karenina and other works.
Tolstoy peeled back the layers of ordinary life to remonstrate against its lack of meaning, but because he was just as human as his characters, he could not show the path to a correct life. He leaves us with the image of Ivan Ilych screaming during his last days in anguish, encapsulating a hidden existential malaise that Tolstoy would struggle with his whole life.
thelittlebirdsong.com
0 of 0 people found the following review helpful.
good book
By Candice
Unexpected but I enjoyed it. Deep and thoughtful. A thin book but not a super fast read!
0 of 0 people found the following review helpful.
Five Stars
By priam
Wonderful and the best translation to date.
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