Rabu, 16 Juli 2014

[W912.Ebook] PDF Download Essential Counseling Skills: Practice and Application Guide, by Sandy Magnuson, Ken Norem

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Essential Counseling Skills: Practice and Application Guide, by Sandy Magnuson, Ken Norem

Essential Counseling Skills: Practice and Application Guide offers practical, step-by-step guidance for developing and applying the skills necessary for careers in counseling. Using the metaphor of a professional journey, this guide provides commentary and background information throughout, as readers are directed in their development of such key counseling skills as empathy, building relationships, case conceptualization, and facilitating change. Deep reflection is further encouraged at every key stage through the integration of theory with a wealth of applied exercises and examples.

  • Sales Rank: #513361 in Books
  • Published on: 2014-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .50" l, .0 pounds
  • Binding: Paperback
  • 176 pages

About the Author
Sandy Magnuson received a Master’s degree in elementary school counseling at Southwest Missouri State University in 1983 and a doctorate degree in counselor education from the University of Alabama. After teaching in counselor education programs in Alabama, Texas, and Colorado, Dr. Magnuson returned to elementary school counseling at University Schools in Greeley, Colorado and retired in 2010. During her career as a counselor educator and school counselor, she was committed to active participation in school counseling organizations and her own continuing education and supervision. She also conducted research in the development of counselors across the professional lifespan and supervision of counselors. Dr. Magnuson authored over 60 articles that have been published in professional journals.

Ken Norem completed his master’s degree in counselor education at the University of Northern Iowa in 1963 and his doctorate from Iowa State University in 1978. Ken’s professional experiences include 5 years as a public high school teacher, 20 years as a school counselor, 24 years as a counselor educator and 20 years (part-time) in private practice and community mental health.  He coordinated counselor education programs at three universities. Since retiring, Ken has been actively involved in political activities and volunteering.

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Rabu, 09 Juli 2014

[R900.Ebook] Free PDF The Taming of the Shrew (Dover Thrift Editions)

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  • Published on: 1800
  • Binding: Paperback

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0 of 0 people found the following review helpful.
It's Shakespeare; who are we to critique the writing?
By BKW
It's Shakespeare; who are we to critique the writing?

Although it's been more than 40 years since I graduated with a degree in English and I've retired from a non-literary career in government, I still read Shakespeare on a regular basis. I'm updating my collection with volumes that will fit into my backpack for travel. This edition meets my needs perfectly.

0 of 0 people found the following review helpful.
meh
By Aya
Read it for school, wouldn't read it outside of that. Meh. I was bored and the characters were boring and annoying. Too much 15th century for my progressive heart.

0 of 0 people found the following review helpful.
NEVER DID LIKE SHAKESPEARE....
By Deer1
Had to read this for my book club, along with Anne Tyler's Vinegar Girl. Format for Kindle made a difficult read even more difficult,

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Rabu, 25 Juni 2014

[U905.Ebook] Ebook Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication, by Moe Folk

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Digital technology plays a vital role in today's need for instant information access. The simplicity of acquiring and publishing online information presents new challenges in establishing and evaluating online credibility.

Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication highlights important approaches to evaluating the creditibility of digital sources and techniques used for various digital fields. This book brings together research in computer mediated communication along with the affects digital culture and online credibility.

  • Sales Rank: #4858977 in Books
  • Brand: Brand: IGI Global
  • Published on: 2012-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x 1.00" w x 8.50" l, 2.90 pounds
  • Binding: Hardcover
  • 461 pages
Features
  • Used Book in Good Condition

Review
His collection of scholarly writings is intended as a resource for anyone conducting online research. More specifically, it offers online researchers ways to evaluate the credibility of the broad variety of online sources of information that are rapidly growing in number and focus. For that reason, it will appeal to a diverse audience: academics and students, journalists, Web designers, information literacy specialists and more. General topics include design and arrangement, perceptions of online information, news and primary research, user-generated content, and games. Editors are Folk (multimodal composition and digital rhetoric), Kutztown U. of Pennsylvania), and Apostel (communication coordinator, Noel Studio for Academic Creativity, Eastern Kentucky U.). --Annotation ©2012 Book News Inc. Portland, OR

About the Author
Moe Folk is an Assistant Professor of Multimodal Composition and Digital Rhetoric at Kutztown University of Pennsylvania, where he teaches a variety of undergraduate and graduate courses in the English Department. His research centers on issues of ethos in digital realms, particularly concerning the relationship that multimodal style has with defining contemporary notions of ethos, and teaching writing with new composing technologies and multiple modes. His previous publications include an article about visual representation in Mediascape and co-authored pieces with Shawn Apostel that appeared in Computers and Composition Online and the Handbook of Research on Computer-Mediated Composition by IGI Global. A Journal of His recent work has appeared in Kairos PraxisWiki and the Sweetland Digital Rhetoric Collaborative; book chapters on using Google Maps to teach writing, assessing the affordances of multimodal style, and using visual rhetoric to produce and teach graphic novels are forthcoming. His creative work has appeared in Pank and New Letters.

Shawn Apostel is the Communication Coordinator for the Noel Studio for Academic Creativity at Eastern Kentucky University where he collaborates with communication faculty, Noel Studio research and writing coordinators, technology associates, and student consultants to identify needs and develop instructional/information seminars focusing on visual, oral, and digital communication. A graphic designer by trade, Dr. Apostel has a MA in Professional Communication from Clemson University and a Ph.D. in Rhetoric and Technical Communication from Michigan Technological University. His research interests include visual communication, creativity, digital ethos, e-waste reduction, and instructional use of cloud-based composition programs. His work is published by IGI Global, CCDigital Press, Lexington Books, New Forums Press, and Computers and Composition Online. In spring of 2013 his co-authored book Teaching Creative Thinking: Pedagogical Approaches will be published by New Forums Press.

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Minggu, 22 Juni 2014

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Code Name Verity, by Elizabeth Wein

Oct. 11th, 1943-A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun.

When "Verity" is arrested by the Gestapo, she's sure she doesn't stand a chance. As a secret agent captured in enemy territory, she's living a spy's worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution.

As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy?

A Michael L. Printz Award Honor book that was called "a fiendishly-plotted mind game of a novel" in The New York Times, Code Name Verity is a visceral read of danger, resolve, and survival that shows just how far true friends will go to save each other.

  • Sales Rank: #8131 in Books
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .90 pounds
  • Binding: Paperback
  • 368 pages

Amazon.com Review
Amazon Best Teen Books of the Month, May 2012: Rich in historical detail and intrigue, Code Name Verity is a vivid reminder of what makes historical fiction so compelling. In exchange for a temporary stay of execution and lesser forms of torture, a young female spy captured in Nazi-occupied France writes a confession of her activities in the Resistance. Her story is that of two women who should never have crossed paths, yet were destined to become the best of friends and embark upon the covert mission that would determine which of them would live or die. Courage born of friendship, fierce hope, and surprising ironies abound in this spell-binding novel that will appeal to teens and adult readers alike.--Seira Wilson

Review
Shortlisted for the Carnegie Medal

“Between this and her follow-up, Rose Under Fire, Wein is revealing herself to be a new master of young adult historical fiction. . . . Filled with twists and turns, Code Name Verity is not for the faint of heart.”
—Rolling Stone

“This heart-in-your-mouth adventure has it all: a complex plot, a vivid sense of place and time, and resonant themes of friendship and courage. Practical Maddie and mischievous Julie are brought to life through their vibrant narrative voices and intriguing backstories . . . In this powerful work of historical fiction, Julie and Maddie need never fear ‘flying alone’; the reader will soar with them until the final page.”
—The Washington Post
 
“Young people will enjoy this Second World War spy story, no doubt, but its appeal is much wider. It's a beautiful thriller about friendship, courage and daring at a desperate time.”
—The StarPhoenix
 
“Moving back in time, rather than forward, Code Name Verity by Elizabeth Wein is an original, cleverly written Second World War story about spies, torture, women pilots, friendship and the horror of war.”
—The Independent

“A carefully researched, precisely written tour de force; unforgettable and wrenching.”
—Kirkus Reviews (starred review)
 
“[Code Name Verity] is outstanding in all its features—its warm, ebullient characterization; its engagement with historical facts; its ingenious plot and dramatic suspense; and its intelligent, vivid writing.”
—The Horn Book (starred review)

“A fiendishly plotted mind game of a novel.”
—The New York Times Book Review

“If you pick up this book, it will be some time before you put your dog-eared, tear-stained copy back down. Wein succeeds on three fronts: historical verisimilitude, gut-wrenching mystery, and a first-person voice of such confidence and flair that the protagonist might become a classic character. . . . Both crushingly sad and hugely inspirational, this plausible, unsentimental novel will thoroughly move even the most cynical of readers.”
—Booklist Online (American Library Association)

“This book is written in a brilliant way. . . . Elizabeth Wein makes it always be believable and realistic as it is from the point of view of a young woman. . . . By the end, I was sobbing. . . . I would rate it a 10/10, for being so amazing and intriguing. . . . I think everyone should read this incredible and heart wrenching story of two girls.”
— The Guardian (UK)

“Everyone should read this book. Everyone, everyone, everyone. . . . It will, in certain moments, emotionally destroy you, put you back together again, and leave you slightly unable to function as a person after you’ve finished it. But in a good way. In the sort of way where you’re really glad you read it, and want everyone you know to read it as well. . . . It is unlike anything I have ever read, full of pain and bravery and friendship. . . . Run to the bookstore right now.”
—Feminist Fiction

 “This book enthralled me from the opening words. . . . What a fabulous book. Made up of equal parts Nancy Drew, Girl Scout and Steve McQueen, these girls show just how much they took on, and how much they were capable of doing, during the war while the men were away. . . . The layers run deep. . . . Suffice it to say that if you are a fan of intrigue, war and strong females. . . you will not be disappointed.”
—Ink and Page

About the Author
Elizabeth Wein (www.elizabethwein.com) was born in New York City, grew up abroad, and currently lives in Scotland with her husband and two children. She is an avid flyer of small planes. She also holds a PhD in Folklore from the University of Pennsylvania.

Most helpful customer reviews

177 of 193 people found the following review helpful.
One of the most powerful books I've read
By Gretchen @ My Life is a Notebook
This review is of an ARC received from NetGalley.

There are few books that leave me speechless.

This would be one of them.

I'll admit, I had my reservations in the beginning. The narrator RAMBLES like whoa. I mean, I was reading on a screen and I saw pages taken up by just two paragraphs and I thought "Swell, this is just going and going and I'm going to be bored to tears."

I wasn't. Not by a long shot.

Usually, if the narrator rambles, I get bored and lose interest. Not here. Sometimes I feel like narrators in YA lack a distinct voice, but-again-not here. Verity HAS VOICE. Verity HAS PRESENCE. Despite the fact that she tells her story from Maddie's point of view, talking about herself in the first person, I felt like I was seeing into Verity's soul. There was no doubt in my mind about the voice that was just flying off the pages, talking to my heart. She not only managed to win me over despite rambling, but also despite talking about herself in the third person, which is huge. (The third person thing makes sense later, but I can't say anything about that!)

Plus, I was expecting a pretty dark, dramatic book. It is both of those things, but imagine my surprise when I found myself laughing out loud multiple times while I was reading. While Verity is being held by the Gestapo. I was laughing. That's how spectacular Verity is. That's how strong she is. That's what this book is like.

I'd also like to give a brief shout out on a very touchy subject. Not only is Verity a rounded person, but the German Officer who interrogates her is also a rounded character. He isn't this mindless drone, which I found very refreshing and made the book even more real. It would have been so, so easy to stereotype this guy, but Wein didn't. She MADE IT REAL.

You have no idea how hard it is not to comment on the second half of the book. I literally don't know how to write about that. I'll admit, personally here I found the voice weaker and several things too rushed, but at the same time I can't imagine certain events having differently, not if they still wanted to be real. The ending is very bittersweet, so I suppose my mixed feelings are supposed to be there.

And trust me, all of my feelings are there.

I could get technical. I could. I could talk for ages about the rambling, the technicalities, and the story tangents that don't make sense til the second half of the book. With any other book, I would. But with this one, I just can't. Code Name Verity was just one of those books.

A good book is fun to read. A good book takes you to a new place for a time, but then you put it down and you go on with your life. Code Name Verity was not a good book.

Code Name Verity was a great book.

It was the kind of book with images, words and ideas that get under your skin. The kind of story that melts into your heart. It was an experience that is with you long after you've closed the book. THAT is the kind of story that comes with Code Name Verity.

51 of 56 people found the following review helpful.
One of the great war books
By H Waterhouse
Oh. My.

When you read enough reviews that refuse to talk about the plot, you know there is a twist coming, but the twist ended up being other than what I expected, so thank you previous reviewers.

The VOICE in this book! The voiceS. I was riveted all through the book by how vivid and rich the conversations were. There are 24 highlights in this book, which is about double my usual rate, because I couldn't let phrases like
"You ignorant Quisling bastard, SS-ScharfĂ¼hrer Etienne Thibaut, I AM SCOTTISH."
and
"Oh my sainted aunt! unlimited visibility! unlimited visibility except for the dirty great city in the northwest! That would be the dirty great city surrounded at 3000 feet by a few hundred silver hydrogen balloons as big as buses! How in the name of mud is he going to find Berlin if he can't find Manchester?"

Anyway, it's a war book. It's like many other war books for young readers, about the inhumanity of war and the humanity of the individuals writing it, and how jarring it is to try to understand all that together. I would unhesitatingly give this book to a middle-schooler. There is violence, but it is mostly by reference, and there is fear, the book is thick with it, but each of the main characters makes a list of things she is afraid of, and both of them include Failing Other People. I love books that are about being equally scared of dying and failing.

Fascinatingly, this is an entirely aromantic book. It's like everyone is so busy staying alive/fighting Nazis that they have all the mate-finding and sexual pursuit burned out of them. Except for one creepy handsy character, which I thought was a fascinating and unnecessary inclusion, but it models how to handle someone sexually pushy without becoming completely unhistorical. It makes the book more complicated and richer.
I suppose all he wanted was a kiss and a cuddle. He backed off looking deeply injured and left me feeling guilty and dirty and prudish all at once. Yes! That's what it feels like. And we should be saying so.

Read if: You have previously liked Elizabeth Wein books, you read /Escape from Colditz/ obsessively as a child, you wish you were clever and brave. You love stories about unlikely friends who push each other to be better. You like books with extensive bibliographies and references to English literature. (yes, this book was obviously written exactly for me. My point is that it may be exactly for you, too.)

Skip if: historically-accurate references to torture, execution, and the general misery of occupied France are going to be a problem for you.

Also read: Escape from Colditz;: The two classic escape stories: The Colditz story, and Men of Colditz. Rifles for Watie.

Final note: This book is way too absorbing to put down easily. It's not long, but allocate some undisturbed time for it.

52 of 63 people found the following review helpful.
I liked it, but I wanted to LOVE it
By Amy T
Crap, friends. CRAP. This is one of those reviews that I have dreaded writing for a long while. I finished CODE NAME VERITY by Elizabeth Wein nearly two months ago, and I've just sat down to write my review now. It's hard for me, sometimes, to gather the stones to tell you all that I didn't really like a book that is almost universally adored and that is, sadly, the situation I find myself in now. CODE NAME VERITY is so highly touted and so glowingly reviewed not only by the big trade magazines but by other bloggers and friends whose opinions matter to me that I wish I could say that perhaps my feelings towards Elizabeth Wein`s book are the product of my mood when I read it or some other excuse. Alas. My feelings of disappointment in CODE NAME VERITY are pretty real. I don't think I need to tell you how much that bums me out, but I will anyway: THIS IS A HUGE BUMMER. If it wasn't for the ending-say, the last 100 pages or so-I wouldn't even be able to tell you that I only LIKED CODE NAME VERITY, which I did. Like, but not love. Not really even close. Let's talk it out.

So, as you might already know, CODE NAME VERITY is the story of two young British girls during WWII who become involved with the Women's Auxiliary Air Force, one as a spy and the other as a pilot. One of the girls, Verity, does more of the spy thing and Maddie more of the flying thing. They develop a close friendship over the course of some time, so that when Verity and Maddie's plane crashes over France and Verity is taken prisoner, Maddie is distraught and eager to find her friend once she realizes what has happened to her. Meanwhile, Verity is in a Gestapo-run prison trying to barter for her life with secrets about British planes and airfields and any other juicy tidbits she might know. As the story comes to its conclusion, a THING of TREMENDOUS, EPIC THINGYNESS happens and Elizabeth Wein`s story fairly barrels to its conclusion. (Thankfully.)

I know that this all probably sounds great to you. And I suppose in some ways it is. We get great glimpses into the historical role of women in the war effort, and a story of friendship. But CODE NAME VERITY is split into two parts-the first is made up of Verity's "reports" that she is providing to the Gestapo in exchange for her life, and they are without a doubt some of the very dullest passages I've read in a really long time. There's lots of technical airplane talk that I understood not at all and, quite frankly, nothing very exciting that happens. I truly lost count of the number of times I almost put the book down. We see, through Verity's reports, the growing friendship between the two girls, and we get some sense of Verity's captors and her prison (both awful). It was all largely boring to me.

The one exception to that is Verity's voice. It had this great cavalier quality to it, and a sense of humor and irony that I was glad she could muster considering her surroundings. I admired her pluck greatly and often wished she wasn't telling stories of mind-numbing dullness because I got a sense that she would've had a real knack for yarns. She also had this really intriguing way of giving a bunch of information in great detail and then saying things like, "Oh well, you know, I hope you don't really think that I could've remembered all of this stuff, do you?" I did really enjoy her unreliability that way. If that was missing, I'm almost 99% positive that I would have put CODE NAME VERITY down.

Which would have been a little bit of a shame, because part 2, the end of the story from Maddie's point of view, was much more my speed in more ways than the literal one. It begins just a little bit before the THING THAT HAPPENS, and it was generally more interesting to me. The plot at that point is unfurling apace and we are learning things-really incredible, mind-blowing things-about Verity. If the entirety of CODE NAME VERITY had been more like the second part, two things would have happened, and herein lies the central issue of this book for me: One, I would have liked it more. But two, the book wouldn't have been nearly as gripping at the end, and it wouldn't have been such a feat of story-telling by Elizabeth Wein. It's a catch-22 of the worst kind. I just had no patience or fondness, really, for the setup. ALAS FOREVER.

I'm sure that if you've heard anything about CODE NAME VERITY already, it's these three things: It's AMAZING, I sobbed until I drowned myself in my own tears, and "KISS ME, HARDY!" The truth about my reading of this book is that, even though I now know what all the "KISS ME, HARDY!" is about, I have to tell you that I did not cry. At all. I didn't even well up. This is a pretty big deal for me because I cry easily and often about anything and nothing, and the THING? It's a pretty enormous, emotional THING, and I didn't really have any emotions about it more than, "Wow. That's a pretty big THING!...*crickets*" EEP!

If I can share just one more thing with you all before I wrap up and go hide myself from other readers' death glares, it would be this: I get completely that we are meant to understand that the girls are forever bffs, and that they become very close, important friends to one another. So perhaps this is because I was only mildly interested in what was going on for the first two-thirds of CODE NAME VERITY and so it escaped my notice, but I felt like I missed the development of their friendship somehow, and so when things happen later in the story, I was kind of at a loss. Writing that paragraph just made me nauseous.

Friends, I can't even tell you how high my expectations were for CODE NAME VERITY by Elizabeth Wein, which was likely part of my problem going in. Seriously, the number of five-star reviews for this book from among my Goodreads friends is STAGGERING! I see people tweeting all over the place about "KISS ME, HARDY!" and then devolving into internet-tears! People say that CODE NAME VERITY is their favorite book ever, the most special book they've ever read, one of the best, most touching, most beautiful. I couldn't count myself in that number. I kept waiting for it to get better for me. Not liking this book makes me feel like a tool, and it was certainly a book that I'm glad I read, but I just don't think it was meant to be between us. I will most definitely be reading the companion book, ROSE UNDER FIRE, though, because I recognize an excellent storyteller when I see one, and Elizabeth Wein is surely one.

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Sabtu, 21 Juni 2014

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Newborn Surgery 3E, by Prem Puri

Newborn Surgery, Third Edition provides a comprehensive compendium of the pathophysiology, investigation and management of neonatal disorders.

Areas covered include in this new edition include:

  • Preoperative assessment
  • Anesthesia
  • Postoperative management
  • Nutrition
  • Ethical considerations in newborn surgery
  • Head, neck, and chest surgery
  • Esophagus and gastrointestinal tract surgery
  • Liver and biliary tract surgery
  • Anterior abdominal wall defects
  • Tumors
  • Spina bifida and hydrocephalus
  • Genitourinary issues
  • Long-term outcomes in newborn surgery

With its uniquely comprehensive coverage of neonatal surgical specialties, this book is the first stop for anyone looking to supplement their knowledge in this broad and increasingly disparate field, including pediatric surgeons, general surgeons with pediatric practice, neonatologists, pediatricians, and pediatric radiologists.

  • Sales Rank: #1618558 in Books
  • Published on: 2011-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x 2.30" w x 11.00" l, .0 pounds
  • Binding: Hardcover
  • 1048 pages

Review

Praise for the Previous Edition:

"Chapters cover the full spectrum of speciality neonatal surgery as well as a comprehensive general overview of the guiding principles ... . In both these regards this text represents one of the best and would be a valuable reference in the neonatal library."
―Journal of Paediatrics and Child Health

"We have found the book valuable in furthering our understanding of the [surgical] problems we see on a day to day basis. Many of the lesions in question are relatively rare, which makes the superspecialist multiauthor approach most valuable. ...I would therefore recommend this book to fellow paediatricians...."
―Archives of Disease in Childhood, Fetal and Neonatal Edition

About the Author
Professor Prem Puri MS FRCS FRCS (ED) FACS FAAP (HON) Newman Clinical Research Professor, University College Dublin, Ireland; President, National Children's Research Centre, Our Lady's Children's Hospital, Dublin, Ireland; Consultant Paediatric Surgeon, Beacon Hospital, Dublin, Ireland

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0 of 0 people found the following review helpful.
Highly Recommended--Includes full e-book
By RJM
Great book, plus it includes the full version in e-book format, which makes it always available on your smartphone, tablet, and laptop. Excellent...wish all texts were like this.

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Kamis, 19 Juni 2014

[E329.Ebook] Free PDF Doubling, Distance and Identification in the Cinema, by P. Coates

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Doubling, Distance and Identification in the Cinema, by P. Coates

This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.

  • Sales Rank: #7605063 in Books
  • Brand: Coates, Paul
  • Published on: 2015-01-27
  • Released on: 2015-01-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.81" h x .82" w x 5.54" l, .0 pounds
  • Binding: Hardcover
  • 217 pages

About the Author

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. His books include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Lucid Dreams: the Cinema of Krzysztof Kie?lowski (ed.) (1999), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour: The Saturated Image (2010). In 1997 he became only the second Film Studies academic to give a series of Gauss seminars at Princeton University. His Screening the Face was published in 2012 by Palgrave Macmillan.

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Kamis, 12 Juni 2014

[T814.Ebook] Free PDF Foundations: new light on the formation and early years of the Grand Lodge of England The 2016 Prestonian Lecture, by Ric Berman

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Foundations: new light on the formation and early years of the Grand Lodge of England The 2016 Prestonian Lecture, by Ric Berman

Foundations: new light on the formation and early years of the Grand Lodge of England, the Prestonian Lecture for 2016, explores the evolution of Freemasonry from the fourteenth century to the eighteenth and the creation of the first Grand Lodge of England. Ric Berman challenges old Masonic myths, explains the interconnections between Freemasonry, Grand Lodge and Britain's Hanoverian government, and outlines how and why its leaders positioned the Craft as a bastion against Jacobitism.The book celebrates and provides a context for the 300th anniversary of the formation of the world's first Grand Lodge.

  • Sales Rank: #707028 in Books
  • Published on: 2015-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .39" w x 5.50" l, .45 pounds
  • Binding: Paperback
  • 154 pages

About the Author
Recently appointed the Prestonian Lecturer, Ric Berman researches, speaks and writes on eighteenth-century history, focusing on the social and political impact of Freemasonry. He is a Visiting Research Fellow at Oxford Brookes University and holds a Doctorate in History from the University of Exeter and a Masters in Economics from the University of Cambridge. Ric's work has been published by Sussex Academic Press and The Old Stables Press.

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1 of 1 people found the following review helpful.
Top Rate Masonic Scholarship
By Thomas Cox
A concise summary of the much larger body of work undertaken by Dr. Ric Berman for his doctoral thesis, here presented as the 2016 Prestonian Lecture. Outstanding scholarship underscored by a non-sentimental viewpoint regarding the explosive growth of English Freemasonry as a political force in its particular time after the formation of the United Grand Lodge of England in 1717. This book is an excellent companion to hearing Dr. Berman deliver the actual lecture. We were fortunate in Iowa to host him during his American tour. [...] A portion of the proceeds from this book go toward supporting the Library and Museum of Freemasonry in London. [...]

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