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Nightmares come in many forms. Some rend the veil of sleep with heart-stopping madness. Others defy sanity to leave a helpless corner of your mind twitching for release. Sometimes, hours after waking, a nightmare drifts across your memory, tainting your day with wisps of discomfort. NIGHTMARES UNHINGED reveals horror in all its mutable forms—abject to absurd—through twenty tales of terror.
Contributors include Mario Acevedo, Edward Bryant, Dustin Carpenter, Sean Eads, Keith Ferrell, Warren Hammond, Jason Heller, Gary Jonas, Stephen Graham Jones, J.V. Kyle, Aaron Michael Ritchey, Jeanne C. Stein, Steve Rasnic Tem, and Dean Wyant. Foreword by New York Times bestseller Steve Alten. Edited by Joshua Viola. Illustrations by Aaron Lovett.
A portion of the book's proceeds will be donated to Rocky Mountain Cancer Assistance in honor of Melanie Tem.
- Sales Rank: #511711 in eBooks
- Published on: 2015-09-08
- Released on: 2015-09-01
- Format: Kindle eBook
Review
"Featuring an impressive line-up of speculative fiction luminaries-Mario Acevedo, Jason Heller, Jeanne C. Stein, Steve Rasnic Tem, Warren Hammond, etc.-this stellar collection of twenty nightmare-inducing short stories is appropriately titled: it's a check-underneath-the-bed-before-you-go-to-sleep kind of anthology." -PAUL GOAT ALLEN "Poe, Lovecraft, King-step aside for the new kids on the block who bring goose bump horror and pit-of-the-stomach dread to stories of the modern world and the future. Ebola in the heartland, an Iraq veteran with a problem, a high school bully who gets his due, a librarian with an exclusive clientele, a far-future alien race that delights in cruelty-the stories in Nightmares Unhinged deliver creepy surprises, sweat-inducing fear and chilling revulsion. These are stories by masters at their peak, stories you will still be thinking about long after you've laid down the book." -JESÚS TREVIÑO, director of Star Trek Voyager, Star Trek Deep Space Nine and Babylon Five "The sheep you so desperately count into slumber are about to sharpen their teeth, burrow into your brain and infest your dreams." -MARK HENRY, author of Battle of the Network Zombies "What is fear? It is many different things for each individual. What Joshua Viola has done in this anthology is touch on every exposed nerve one might have. Like a master chef in his kitchen, Viola manages to put together a delicious dish of 'Macabre Under Glass.' Some of the dishes may be challenging and new to your palette, but it is a many splendored meal with each course displaying its own variety of flavors. It was truly satisfying and yet, now, I am hungry for more even though I have a terrible time sleeping with such a full belly." -JONATHAN TIERSTEN, actor Sleepaway Camp "With a delicious story for seemingly every fear, Nightmares Unhinged features a treasure of writers-both established and rising-who know how to peel away all layers of protection and dig into your deepest phobias. These stories will leave you fascinated, vulnerable, and truly considering leaving your bedroom light on at night. If you are looking for short story horror at its creative peak, Nightmares Unhinged is a must-read." -CARTER WILSON, author of The Comfort of Black "This collection of chills by Colorado authors takes a retro, Twilight Zone approach to horror and offers it in a distinctly Western mood. There's a nostalgia to this book's type of creepy; fans of old-fashioned, midnight horror will enjoy. Best read after dark." -STANT LITORE, author of The Zombie Bible "Get ready for blood, terror and the unexpected in Nightmares Unhinged, a devilish anthology from a cast of superb writers." -MIKE BEFELER, author of Mystery of the Dinner Playhouse and The Paul Jacobson Geezer-Lit Mystery Series "Recommended doses of terrific and terrifying tales, Nightmares Unhinged is the perfect remedy for feeling just a little too cozy and secure." -J.L. ABRAMO, award-winning author of Gravesend "Less a collection of stories and more a warning list of places never to be-the library, fields with scarecrows, Mexican bars, the dentist, work parties, your neighbour's house, and if you're male and play golf, don't you ever, ever go looking for your balls under a bridge. A lot safer to just stay at home and read this book." -PAUL CAMPION, director of The Devil's Rock and VFX Artist for The Lord of the Rings Trilogy, Constantine and Sin City "From the moment you open Nightmare's Unhinged, it chokes the air from the room and leaves you holding your breath until you finally close its pages. Unfortunately, no matter how hard you try, you'll never get rid of that sinking feeling it will leave with you." -JOSH DANFORTH, Celldweller Productions "Nightmares Unhinged has stories that will frighten even the most thick-skinned reader." -CAT ZINGANO, UFC Bantamweight Number One Contender
Most helpful customer reviews
2 of 2 people found the following review helpful.
Dark Vibes
By Mark Stevens
These are some grisly bits here but to my way of thinking "Nightmare Unhinged," an anthology from Denver-area Hex Publishers, is 20 well-written tales with an overall dark vibe. Gore? Some. Cool story concepts with some fresh wrinkles? Why, yes. There are several that seemed to me, in fact, highly original. And 13 of the 15 writers live in Colorado so this is a fine showcase for this state's talent. (Please note, my tastes run to more fiction and mysteries; I'm outside my regular zone here.)
Steve Rasnic Tem’s understated and perfectly creepy “The Brollachan” starts things off but the horror is mostly by implication in a boy-meets-girl teenage tale with a dark twist. Tem slips in the juicy stuff when you’re not looking, right down to the love bites. A beauty.
J.V. Kyle’s “Fangs” takes a perverted run at a vampire who likes a twist with his blood—anesthetic. The craving leads him to realize that women in white uniforms are carriers of this special something. And soon he is in a dentist’s office and, well, the ending is pure piece of deft table-turning.
In “Be Seated,” Keith Ferrell tells a story about a special chair. The storyteller concedes to his own circumspect style of relaying events and the tale of murder requires full reader attention, no hand-holding allowed.
America is “coming down like dominoes” in “The Man Who Killed Texas,” by Stephen Graham Jones. The one is about “the cough” and a guy named Baylock and a militia holding the line against an insidious and deadly invasion that will test Baylock in a whole host of nerve-jangling ways—family values and all of that.
“Scarecrows,” by Joshua Viola, is brisk tale of comeuppance and justice and plays with the tropes of horror—the edge of town, teenage taunting, and things that come alive.
Mario Acevedo’s “Zou Gou” (Chinese for “lackey”) is a trippy bit of horror mixed with sci-fi—drones, robots, sex and armless human bodies who are part of a creepy experiment in resilience. A wild imagination at work.
Okay, by the time we get to “Needles,” co-written by Joshua Viola and Dean Wyant, we are finally (story #7) digging down in the grisly material. A desperate drug addict named Natalie takes a john, an overly generous man in a Dormeuil suit. Natalie gets hurt—and high. But things are never quite the same. The ending is both gory and gotcha. Think “Alien” on hallucination-inducing steroids.
Jason Heller’s “The Projectionist” is one of my favorites, riffing on nostalgia for old-school cinema versus robotic, remote-controlled digital projectors and the “flickering of fiction” in movie reels. The story features a 12-year-old boy and a movie projector which is like saying "The Exorcist" is about a young girl and her run-in with religion. This projector is not just any machine, but a lifelike thing with special powers. “The projector engulfed the entire booth. It wasn’t a large space, as far as I could tell. The machine filled it like a nest of serpents that had overgrown its terrarium. Instead of snakes, though, tubes and pistons and pneumatic cylinders twisted their way around the central mass of the apparatus, which wheezed and trembled like the torso or thorax of some impossible beast.” With terrific vocabulary, a nifty message and a genuinely scary concept, “The Projectionist” has a knockout a-peel.
Jeanne C. Stein brisk “The Wolf’s Paw” is a battle in Balboa Park (San Diego) between wolves and vampires, told from the point of view of Anna, Stein’s longtime heroine from The Anna Strong Chronicles. Like those books (I’ve only read a few) “The Wolf’s Paw” mixes fast action, strong emotions. It’s feral vs. civilized, both within and without.
Keith Ferrell returns with “Danniker’s Coffin,” a story about a 71-year-old who is a coffin maker’s son and planning to put up a fence around his property now that the neighbor’s house is empty. This thoughtful tale, as much a character portrait as anything else, touches on burial methods, fate, and self-determination. Beautifully written, this was one is practically genteel.
“Deep Woods” is Aaron Michael Ritchey’s quick tale of three girls in a pickup on the way to the old, familiar “cabin the woods” with creaking doors and a freak. Ritchey uses fast flourishes to set the scene and the monster. “A fringe of hair and balding, gnarled flesh. Pulpy, misshapen brow and cheeks. Wet mouth.” Yes, there will be axes. Yes, blood will fly. The final score is freak, _ and alive girls _. What? You thought I would tell?
Dustin Carpenter’s “Diamond Widow” offers a dark turn on black widows everywhere, insect and human. Logan “the stock broker” is lured into a lair of jewels where the pressure, shall we say, gets intense.
“Deep Woods” would also work as a title for “The Camera,” by Joshua Viola, a story about a couple that encounter strange items and creepy rangers in the woods. But all the world is a stage, it turns out, even way out in the middle of nowhere where fear can be exploited for maximum effect.
“Lost Balls,” by Sean Eads, is a pleasant little tale of golf except it’s not only the balls that go missing. This is a twisted take on “The Three Billy Goats Gruff,” and acknowledges its roots within. Yes, “balls” has multiple meanings. Trolls, knives, testicles, and bargains with the world. The next time you hit a ball out of bounds, you might just go ahead and kiss it good-bye. Take your penalty and move on.
“Something about company affairs seem to jumpstart, well, company affairs, if you know what I mean.” That’s our narrator in “Bathroom Break” by J.V. Kyle about a fling with Linda, all suburbs on the outside and all Goth on the inside. That’s true for the house where she lives. And more. Our hero thinks he’s good at solving problems but overlooks cleaning up at the wrong time. Linda’s talents and inner drive can’t be underestimated.
“Marginal Ha’nts,” by Edward Bryant, is a touch of genius. Brilliant concept, brilliant delivery and spot on with day-to-day willies. Now we have an explanation for the “lukewarm hauntings and tepid terrors.” Moving to a new house? I think every real estate agent in the country should pass this out at closing. Enough said. The ending gave me a laugh.
“Juarez in July was like standing over a barbecue pit,” thinks Stuart near the beginning of “Delicioso,” by Warren Hammond. Here in Juarez, Stuart stands out as a “star” with white skin and American accent. Stuart is on the prowl and, at home behind the triple locks of his rooftop apartment, he has a whole toolbox by the sofa with what he needs. You know, a carrot peeler. And knives. “So many knives.” You know the rule about mentioning a knife in a horror story—it will get used. Hammond’s skills at taut storytelling are in full display here.
New librarian Emma has “outgrown the eyeliner and The Cure albums, but her infatuation with devilish things” remain. She’s being trained in Joshua Viola’s “The Librarian” and encounters a strange customer with odd habits. This one is part genie-in-a-bottle with a happy ending. Say what?
In Mario Acevedo’s “Gurgle Gurgle,” legalization of marijuana in Colorado and the standard yearnings of high schools boys are pureed in a frothy, funny story that also plays off genies and magic lamps, this time in very direct fashion. Genies take everything so literally, of course.
And, finally, Gary Jonas’ “Truth Or Dare” plays with unusual neighbors, mysterious basements and that common little habit of kids being carved to pieces. This one is not child’s play. You get the picture.
Jonas’ piece might be the final story, but it’s not the last piece of beautiful writing—that honor goes to Edward Bryant’s powerful and moving tribute to the late Melanie Tem, the author of a dozen or so novels and many, many short stories. The tribute to this remarkable “fantasist” will inspire awe—and make you want to read her books.
Don't be afraid; check out “Nightmares Unhinged.” Is it boot camp for the psyche? Maybe. One reader's squirm-inducing passage is another reader's yawn. But there are some nifty tales here, well-told. Basements, deep woods, Goth-loving officemates, well, you still might want to think twice.
1 of 1 people found the following review helpful.
Not all horror, but most were good reads
By Jessica Shook
This is a collection of works from many talented authors. I'll review each story on its own, since that's only fair.
The Brollachan - Steve Rasnic Tem: 3.8/5
The story was devoid of gore or sexual situations. It was engaging, though it did drag at some points. The reveal was a bit hollow, because the conclusion was obvious several pages before then. Writing style was easy to get into, and flowed well. I enjoyed the concept, and the "old wives tale" come to life sort of feel in the story.
Fangs - J.V. Kyle: 4.6/5
I really liked this story. Also devoid of sexual situations and gore. It had a very fun, even playful, concept. It plays a bit on addiction, which is a very welcome addition to the story. The only reason it didn't earn a 5/5 was that I saw it coming a few pages in. The writing style was on par with what you'd expect for a horror short: snappy, and quick paced.
Be Seated - Keith Ferrell: 4.2/5
Very odd story. Again, no gore or sexual situations, but something... cultish... about it. You never really discovered much about what it was going on in that chair, in that house, by that hearth, but I think that made it all the more intriguing. I think the mystery was a lot of what the story had going on for it. The blank space used to talk about the narrator's subject matter, "Mr. A____", was a bit jarring to read so many times, and so I felt the flow suffered a bit because of it.
The Man Who Killed Texas - Stephen Graham Jones: 3.8/5
This story was only a tiny bit gory, but no sexual situations. It was a fun read, and very near to how I think the actual situation (post viral outbreak) would go down. It was a bit longer than necessary to convey the story at hand, but was still effective and interesting, not to mention sad. The style was easy to read.
Scarecrows - Josh Viola: 4.2/5
No gore or sexual situations, but triggers if bullying gets you. The story was touching, and vengeful. The writing was easy to read, and flowed well.
Zou Gou - Mario Acevedo: 4.6/5
I'm a sucker for sci-fi, so my rating might be a little biased. Both gore and sexual situations present in this one, but it didn't detract or distract from the story. I cringed about twice, the first time so far for Nightmares Unhinged. It was interesting and odd, deserved much more than a few pages. I've heard there is a full length novel to follow, which I'm drooling for in anticipation if it meets the quality of this short.
Needles - Josh Viola & Dean Wyant: 4.8/5
Sexual situations, and rape triggers, and a splash of gore at the end. I cringed unendingly at this story. I get a bit eeeeeeeee about rape, so that had me crossing my legs. It was creepy as hell, flowed great, but could have been paced better (probably the reason for falling short of 5). Another story with heavy addiction mentions.
The Projectionist - Jason Heller: 4.4/5
Did I just do drugs? Like... all the drugs? This is possibly the goriest story of the lot, and contains not only sexual situations, but... I think incest. I'm not sure how else to feel about this other than it was extremely interesting, but also confusing. I was left with a lot of questions, much like "Be Seated". I cringed at this one quite a bit, but the pacing and writing were both excellent.
The Wolf's Paw - Jeanne C. Stein: 2.6/5
I suppose my assessment of this is not completely fair, since I know this short was pulled from a longer work. However, it is not a very good standalone. The story was not well told in the few pages it was given, and I did not enjoy the writing style. The entire thing was quick, snappy, and there was no pause. I'm assuming the entire work was not written this way, and this was just one very quick, intense part of an otherwise well paced story. I'm not able to tell, since I did not read the full work.
Danniker's Coffin - Keith Ferrell: 3.6/5
No gore or sexual situations for this one. It was not scary, or cringe worthy, yet quite sad. So, so realistically sad. It was a bit drawn out, but I think that lent to the depressing nature of it. The story was slow and long, as said, but flowed well.
Deep Woods - Aaron Michael Ritchey: 4/5
Gore present, but no sex. I liked this take on the "monster in the woods" kind of story. I was pleased with the way it ended. The pacing was great, and the narration easy to read.
Diamond Widow - Dustin Carpenter: 3/5
No sex, not really gore either. I wanted to like this story, but from the title and first two paragraphs, I knew the whole story. That's pretty depressing... =( I don't like being able to predict what's going to happen, it takes all the fun out. It was well written and paced, and a fun play on a damsel in distress.
The Camera - Josh Viola: 3.8/5
Some sexual content, not much gore. This story made me seeth a bit. It's narrated by a female whose fiance is a douche turd. I wanted to punch him in his douchy face. Fortunately, that wasn't necessary. There were some unpredictable elements, which was nice after Diamond Widow, but I did foresee the end. It was well paced and written.
Lost Balls - Sean Eads: 3.6/5
Here's another one I'm biased on, simply because I disdain golf, and it played a decent roll in the story. Please don't tell my grandfather, but it's the most useless, boring "sport" on the planet. The pacing was a bit slow, but when it picked up, it really picked up. I did get a chill, and I could see the environment around the bridge, so that was all very well done. Damn it, why'd it have to be lame golf >.
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